Aus unseren Neuerwerbungen – Romanistik 2019.7

Rhap­sodie: a prosod­ic and syn­tac­tic tree­bank for spo­ken French
This mono­graph describes the devel­op­ment of Rhap­sodie, a 33,000-word syn­tac­tic and prosod­ic tree­bank of spo­ken French cre­at­ed with the aim of mod­el­ing the inter­face between prosody, syn­tax and dis­course in spo­ken French. The­o­ret­i­cal foun­da­tions and method­olog­i­cal choic­es are pre­sent­ed and dis­cussed, and com­pared with oth­er con­tem­po­rary approach­es. Why is a data-dri­ven instead of a cor­pus-based approach nec­es­sary when one wants to mod­el and ana­lyze dis­course with­out neglect­ing the fea­tures typ­i­cal of every­day speech, in order to cap­ture not only what we say but also how we say it? How can one show that ver­bal exchange oper­ates as a col­lab­o­ra­tive enter­prise and how can the spe­cif­ic syn­tac­tic and prosod­ic mark­ers of this col­lab­o­ra­tion be merged? The descrip­tion pro­posed in this col­lec­tive book is of inter­est for spe­cial­ists of spo­ken French stud­ies, and also for schol­ars who would like to extend Rhap­sodie-like anno­ta­tion schemes to oth­er lan­guages.
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French lit­er­a­ture on screen
This col­lec­tion presents new essays in the com­plex field of French lit­er­ary adap­ta­tion. Using a vari­ety of tex­tu­al and inter­pre­tive approach­es, it sheds light on issues of gen­der, sex­u­al­i­ty, class, pol­i­tics and social con­ven­tions while acknowl­edg­ing a range of con­texts, from the com­mer­cial to the archival and the aes­thet­ic. The chap­ters, writ­ten by emi­nent inter­na­tion­al schol­ars, run chrono­log­i­cal­ly from The Count of Monte Cristo through Proust and Bon­jour, Tristesse to Philippe Djian’s Oh. (adapt­ed for the screen as Elle). Col­lec­tive­ly, they fill a need for con­tem­po­rary dis­cus­sions on the sig­nif­i­cance of France’s lit­er­ary rep­re­sen­ta­tions in the his­to­ry of glob­al cin­e­ma.
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