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Aus unseren Neuerwerbungen – Nordische Philologie 2019.9

Buchcover

Norse-Gael­ic con­tacts in a Viking world: stud­ies in the lit­er­a­ture and his­to­ry of Nor­way, Ice­land, Ire­land, and the Isle of Man
This mul­ti-dis­ci­pli­nary vol­ume draws on the com­bined exper­tise of spe­cial­ists in the his­to­ry and lit­er­a­ture of medieval Ire­land, Ice­land, Nor­way, and Scot­land to shed new light on the inter­play of Norse and Gael­ic lit­er­ary tra­di­tions. Through four detailed case-stud­ies, which exam­ine the Nor­we­gian Konungs skug­gsjá, the Ice­landic Njáls saga and Land­námabók, and the Gael­ic text Baile Suthach Sith Emh­na, the vol­ume explores the lin­guis­tic, cul­tur­al, and polit­i­cal con­tacts that exist­ed between Norse and Gael­ic speak­ers in the High Mid­dle Ages, and exam­ines the impe­tus behind these texts, includ­ing oral tra­di­tion, trans­fer of writ­ten sources, and autho­r­i­al adap­tion and inven­tion. Cru­cial­ly, these texts are not only exam­ined as lit­er­ary prod­ucts of the thir­teenth cen­tu­ry, but also as repos­i­to­ries of old­er his­tor­i­cal tra­di­tions, and the authors seek to explore these wider his­tor­i­cal con­texts, as well as analyse how and why his­tor­i­cal and lit­er­ary mate­r­i­al was trans­mit­ted. The vol­ume con­tains Eng­lish trans­la­tions of key extracts and also pro­vides a detailed dis­cus­sion of sources and method­olo­gies to ensure that this mile­stone of schol­ar­ship is acces­si­ble to both stu­dents and sub­ject-spe­cial­ists.
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Buchcover

Hen­rik Ibsen: the man and the mask
A mag­nif­i­cent new biog­ra­phy of Hen­rik Ibsen, among the great­est of mod­ern play­wrights
Hen­rik Ibsen (1820–1908) is arguably the most impor­tant play­wright of the nine­teenth cen­tu­ry. Glob­al­ly he remains the most per­formed play­wright after Shake­speare, and Hed­da Gabler, A Doll’s House, Peer Gynt, and Ghosts are all mas­ter­pieces of psy­cho­log­i­cal insight.
This is the first full-scale biog­ra­phy to take a lit­er­ary as well as his­tor­i­cal approach to the works, life, and times of Ibsen. Ivo de Figueire­do shows how, as a man, Ibsen was drawn toward author­i­tar­i­an­ism, was absolute in his judg­ments over oth­ers, and resist­ed the ideas of equal­i­ty and human rights that formed the bases of the emerg­ing democ­ra­cies in Europe. And yet as an artist, he advanced debates about the mod­ern individual’s free­dom and responsibility—and cul­ti­vat­ed his own image accord­ing­ly. Where oth­er biogra­phies try to show how the artist cre­ates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.
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