Historical Lacunae and Poetic Space: A Creative Approach to Old Norse Poetry and Poetics
This book explores the nature of poetic reading using a creative approach to understanding Old Norse poetry. It considers lacunae in the history, criticism and scholarly translations of Old Norse poetry into English through a poetic enactment, an epic poem and its companion reader, demonstrating critical approaches to Old Norse poetry and poetics.
The poetic enactment analyses the complex relationship between historical gap and creative reader, the importance of the comprehension of literary objects as ideal or immutable, and the poetic construction of readable texts with particular reference to skaldic images. The poetic demonstration of scholarly approaches also raises a number of questions about poetic process and the role of composers, readers and historical contexts in Old Norse poetry. Analysing narrative-movement, diction, grammar, legend, the aural, the visual, authenticity, meaning and poetic objects as scripts, the author offers a theory of actual and virtual reading.
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Old Norse-Icelandic philology and national identity in the long Nineteenth century
or centuries, the literary heritage preserved in Icelandic medieval manuscripts has played a vital role in the self-image of the Icelandic nation. From the late eighteenth century, Icelandic scholars had better opportunities than previously to study and publish this material on their own terms. Throughout the long nineteenth century they were intensely engaged in philological work on it. This coincided with an increasing awareness among Icelanders of a separate nationality and their growing demand for autonomy. What was the connection between the two developments? This literature was also important for the shaping of identities among other Northern European nations. The twelve chapters of this collection explore the interplay between various national discourses that characterized the scholarly reception of this heritage during the period.
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