In der letzten Zeit sind u.a. diese frei verfügbaren Titel erschienen:
CLARIN: The Infrastructure for Language Resources
Darja Fišer & Andreas Witt (Hrsg.) | https://doi.org/10.1515/9783110767377
CLARIN, the „Common Language Resources and Technology Infrastructure“, has established itself as a major player in the field of research infrastructures for the humanities. This volume provides a comprehensive overview of the organization, its members, its goals and its functioning, as well as of the tools and resources hosted by the infrastructure. The many contributors representing various fields, from computer science to law to psychology, analyse a wide range of topics, such as the technology behind the CLARIN infrastructure, the use of CLARIN resources in diverse research projects, the achievements of selected national CLARIN consortia, and the challenges that CLARIN has faced and will face in the future.
Digitale Editionen im Spannungsfeld des Medienwechsels: Analysen und Lösungsstrategien aus Sicht der Informatik
Andreas Oberhoff | https://doi.org/10.14361/9783839459058
Im Spannungsfeld des Medienwechsels von der gedruckten zur digitalen Edition wirken komplexe und oft konfligierende Kräfte. Aus der Perspektive der Informatik identifiziert Andreas Oberhoff die Ursprünge und Wechselwirkungen dieser Kräfte, präzisiert sie als wesentliche Konflikte und analysiert sie systematisierend durch Adaption etablierter Konzepte. Gestützt auf diese theoretischen Erkenntnisse leitet er technische Anforderungen an moderne Editionsinfrastrukturen ab, entwickelt innovative Konfliktlösungsstrategien (u.a. mit Hilfe von Blockchain-Technologien) und stellt auf Basis der Revisionssicherheit erstmals eine Methodik für die bewertende Einordnung dieses austarierenden Technikeinsatzes bereit.
Theater as Data: Computational Journeys into Theater Research
Miguel Escobar Varela | https://doi.org/10.3998/mpub.11667458
In Theater as Data, Miguel Escobar Varela explores the use of computational methods and digital data in theater research. He considers the implications of these new approaches, and explains the roles that statistics and visualizations play. Reflecting on recent debates in the humanities, the author suggests that there are two ways of using data, both of which have a place in theater research. Data-driven methods are closer to the pursuit of verifiable results common in the sciences; and data-assisted methods are closer to the interpretive traditions of the humanities. The book surveys four major areas within theater scholarship: texts (not only playscripts but also theater reviews and program booklets); relationships (both the links between fictional characters and the collaborative networks of artists and producers); motion (the movement of performers and objects on stage); and locations (the coordinates of performance events, venues, and touring circuits). Theater as Data examines important contributions to theater studies from similar computational research, including in classical French drama, collaboration networks in Australian theater, contemporary Portuguese choreography, and global productions of Ibsen. This overview is complemented by short descriptions of the author’s own work in the computational analysis of theater practices in Singapore and Indonesia. The author ends by considering the future of computational theater research, underlining the importance of open data and digital sustainability practices, and encouraging readers to consider the benefits of learning to code. A web companion offers illustrative data, programming tutorials, and videos.