An Introduction to Linguistics through Popular Music
The varieties of English covered include Received Pronunciation (RP) and General American, as well as some features of Australian English, southern US varieties, and Scottish English. Drawing on shared characteristics between language and music, including metrical structure, the author suggests a different approach to linguistic analysis and the description of spoken language.
The book introduces both students and instructors to a novel and engaging method of description, and provides a fresh vocabulary with which to start thinking about language. It demonstrates complex topics by using music as a fun and familiar starting point, and will be an ideal resource for introductory linguistics coursesworldwide.
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Globalized Queerness: Identities and Commodities in Queer Popular Culture
Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities.
Levy revisits media characters that have caught the attention of the broader public – such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003–2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood – and argues that they have gradually blended in the public’s perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable.
Utilizing insights from media reports published across the world’s ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.
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