Anxiety in Modern Scandinavian Literature: August Strindberg, Inger Christensen, Karl Ove Knausgård
This book explores how states and traits of anxiety are reflected in the style and structure of certain works by three key figures of modern Scandinavian literature: August Strindberg, Inger Christensen, Karl Ove Knausgård. On the basis of particular literary analyses, it develops a literary phenomenology of anxiety as well as a hermeneutical theory of anxiety that considers the ways in which anxiety has been represented in various genres of modern Scandinavian literature from the last three centuries. Whereas the former uncovers the ways in which anxiety is reflected in literary form and style, the latter interprets the relationship between author, text, and reader as well as the effects of genre.
As Strindberg’s works capture the tensions between existential indeterminism and naturalistic determinism and make way for negative aesthetic pleasure, poetry such as Christensen’s challenges scientistic and psychiatric conceptions of anxiety and instigates a change in how humans conduct themselves in relation to the experience of anxiety. Finally, Knausgård’s autofictive work gives voice to the socially anxious self of late modernity and incites moments of self-intensification and reorganizes the fragile self of contemporary society.
In this way, it becomes clear that literature is an outstanding archive of representations and transformations in the cultural history of anxiety. Literature is an aesthetic medium of expression and reflection that represents anxiety in a number of ways that may enrich our understanding of anxiety today. This work thus contributes to cultural and literary scholarship that contests the subjugation of anxiety to a scientific world view and aims to expose the imaginative and creative dimensions of anxiety that are often ignored in contemporary public discourse and policy.
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Finns in the shadow of the „Aryans“ race theories and racism: ace theories and racism
This book relates what scholars and dilettante literati from the 16th century until the present have said about the origin of the Finns. The ‚Father of Anthropology‘, Joh. Fr. Blumenbach, argued in 1795 that Finns and Lapps belonged to the Mongolian race because they did not speak an Indo-European language. Since then many people have assumed that the Finns had recently come from Asia. This was not the only theory, but the ‚Aryans‘ labelled the Finns as alien and primitive aboriginals in Europe and considered them inferior. Anthropological investigations in the twentieth century disproved these arguments, and modern geneticists say that Finns are genetically near to central Europeans. After the glacial period Finland was settled from the east, south and west and perhaps from the north too. The genetic characteristics of the Finns have been influenced by the different populations who settled in Finland over almost 10,000 years.
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