Feminine singularity: the politics of subjectivity in nineteenth-century literature
What happens if we read nineteenth-century and Victorian texts not for the autonomous liberal subject, but for singularity—for what is partial, contingent, and in relation, rather than what is merely „alone“? Feminine Singularity offers a powerful feminist theory of the subject—and shows us paths to thinking subjectivity, race, and gender anew in literature and in our wider social world.
Through fresh, sophisticated readings of Lewis Carroll, Christina Rossetti, Charles Baudelaire, and Wilkie Collins in conversation with psychoanalysis, Black feminist and queer-of-color theory, and continental philosophy, Ronjaunee Chatterjee uncovers a lexicon of feminine singularity that manifests across poetry and prose through likeness and minimal difference, rather than individuality and identity. Reading for singularity shows us the ways femininity is fundamentally entangled with racial difference in the nineteenth century and well into the contemporary, as well as how rigid categories can be unsettled and upended.
Grappling with the ongoing violence embedded in the Western liberal imaginary, Feminine Singularity invites readers to commune with the subversive potentials in nineteenth-century literature for thinking subjectivity today.
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Post-Orientalism and Contemporary American Novels
This book provides a scientific and academic contribution to the scholarly exploration of the complex relationship between the East and the West in American literature. The study focuses on four novels (Mornings in Jenin, Falling Man, The Reluctant Fundamentalist, and Riyah Al-Janna (The Wind of Paradise)) to discuss how the literature reflects on Middle Eastern themes in relation to the situations and conditions of the New East. It treats the Orient as a moving body and takes Edward Said’s Orientalism into account, also showing Post-Orientalism or the New East as a literary phenomenon in the 21st century, specializing in politics, militarism, and post-colonial ideology. The book explains and divides the Middle East into two parts: the Arab-Islamic Middle East and the non-Arab-Islamic Middle East. It highlights the similarities and differences between these two parts as depicted in various novels, presenting the East as a land of desolation and destruction due to the political, regional, and religious changes that have shaken it.
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